Name: Aera
Contact: 8 Spadina Ave., 38th floor, 647-258-5207, aerarestaurant.com, @aera.restaurant
Neighbourhood: Wellington Place
Owners: Oliver and Bonacini
Chefs: Partner and corporate executive chef Anthony Walsh and executive chef Binit Pandey (Oliver and Bonacini Café Grill)
Accessibility: Fully accessible
Aera (pronounced “era”) is the new jewel to rival Canoe in O&B’s crown. Taking over the entirety of the Well’s penthouse floor, this swish already-almost-impossible-to-get-into restaurant is the antithesis of pandemic austerity.
The concept—a modern steakhouse riffing on 20th-century classics—was born during lockdown. When Andrew Oliver (O&B’s current CEO and son of Peter Oliver, the company’s co-founder), saw the 30-year-old hospitality empire shutter indefinitely back in 2020, he was mired in existential angst—was it time to quit restaurants? Oliver found himself in a deep depression; he even stopped eating at one point, shedding not just a few but 125 pounds. After a few months of this, he woke up one day with renewed faith in the industry. “I guess I’m a masochist,” he jokes. That’s when called up the Well’s developers and told them he’d take every single available restaurant lease in the building—but there was a catch. He’d also need them to redesign the building’s 38th floor, office space at the time, to accommodate a world-class dining destination.
Aera benefits from unparalleled views. As the sun dips below the horizon and glittering lights replace landmarks, the energy here shifts from enchanting aerie to luxe lounge—complete with DJs, bottle service and late seatings (it’s open until 2 a.m.). Canoe’s younger sibling is all about youthful revelry. Even the food is unfettered by modern fine dining’s usual penchant for fussiness. Guests can expect ultra-high-calibre ingredients turned into familiar (albeit highly polished) plates, like a wedge salad followed by a porterhouse served with a seriously decadent baked potato and mind-blowing creamed spinach. (Yes, I just used “mind-blowing” to describe spinach.)
If turf isn’t your thing, the surf selection is equally excellent. Aera’s sushi program is based on top-tier seafood that’s a mix of Japan- and domestic-caught fish. There’s even a dedicated sushi chef—Rhett Sacdalan (previously of Dasha, Miku and Yamato)—who oversees the maki, nigiri and sashimi selection.
The tuna currently used throughout the menu, in the sushi and in the tartare, is all from the same line-caught 350-pound bluefin behemoth. It was shipped here from a small New Brunswick fishing operation and then butchered in house. Every part of the tuna is being used—even the vertebrae were turned into decorative ornaments for the sushi platters. “We believe in sustainability,” says executive chef Binit Pandey. “That means not throwing out any part of the fish.”
Signature cocktails are available by the glass or decanter, and the wine selection avoids trendy stuff—nothing too funky, too orange or too niche. “The guests know what they want: steak, sides, a stiff martini and then a big Cab from California or Bordeaux,” says Jane Suh, associate director of restaurant operations.
The aperitif here is undeniably the view, so drink it up. The 5,000-square-foot restaurant, which takes its name from the Greek word for air, aero, benefits from three different exposures: the Toronto Islands to the south, a towering cityscape to the east and an uninterrupted sunset vista looking west. To ensure everyone has an optimal vantage point, Solid Design Creative (the firm behind Bitter Melon, Paradise Theatre and Koukla) put the more central tables in the room on a raised platform.
There’s also a 16-seat sushi counter and a four-person chef’s table looking into the open kitchen. And for when dinner’s done but the night’s far from over, there’s a 24-person lounge outfitted with conversation couches and bucket chairs. Coming next spring: a 4,500-square-foot rooftop patio.
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Caroline Aksich, a National Magazine Award recipient, is an ex-Montrealer who writes about Toronto’s ever-evolving food scene, real estate and culture for Toronto Life, Fodor’s, Designlines, Canadian Business, Glory Media and Post City. Her work ranges from features on octopus-hunting in the Adriatic to celebrity profiles.