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Discover the culture-clashing art of Jean-Michel Basquiat

By Luc Rinaldi
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(Image: Jean-Michel Basquiat, Obnoxious Liberals, 1982. Acrylic, oilstick, and spray paint on canvas. The Eli and Edythe L. Broad Collection. © Estate of Jean-Michel Basquiat [[2014]]. Licensed by Artestar, New York.)
(Image: Jean-Michel Basquiat, Obnoxious Liberals, 1982. Acrylic, oilstick, and spray paint on canvas. The Eli and Edythe L. Broad Collection. © Estate of Jean-Michel Basquiat [2014]. Licensed by Artestar, New York.)

A product of New York’s punk scene, the Brooklyn artist Jean-Michel Basquiat quickly jumped from the street to the gallery circuit in his late teens, creating shambolic, irreverent works of art until his death from a drug overdose at age 27. His paintings and drawings are deliberately jumbled and messy—colours smudge and swirl, shaky penmanship overlaps childish doodles, ideas are rooted then abandoned halfway. But there’s anger beneath the chaos. Every work confronts poverty, racism and power—the uncomfortable issues that separated the realms the artist straddled. Now’s The Time, the AGO’s new exhibition, is the first Canadian retrospective for Basquiat, featuring 85 of his most iconic—and iconoclastic—pieces.

Feb. 7–May 10. $16.50–$25 (includes general admission). Art Gallery of Ontario, 317 Dundas St. W., 416-979-6648, ago.net.

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