Learn to distrust your eyes at an exhibition of Charles Bierk’s impeccably photorealistic paintings

By Emily Landau | November 13, 2014

By Emily Landau | 11/13/2014

Learn to distrust your eyes at an exhibition of Charles Bierk's impeccably photorealistic paintings — (Images: photo of Bierk: Evaan Kheraj; paintings: Charles Bierk)

The portraitist Charles Bierk is a professional trickster: what look like black-and-white photographic portraits are actually impeccably rendered paintings. In his Niagara Street studio, Bierk photographs his friends, blows up the images and uses them as references for large-scale oil paintings on canvas. He studied painting under his father, the landscape artist David Bierk, who taught him to divide his canvas into a grid and paint square by square, millimeter by millimeter. In his debut solo exhibition, which starts today at Metivier Gallery on King West, he shows a series of images that transform depending on where you’re standing. From 20 feet away, they’re stark, striking portraits, coated in an eerie gloss of perfection. The closer you get, the more fascinating and flawed they become, as the stubble, pores and freckles take on gritty, abstract texture. We asked Bierk for a preview of some of his most arresting shots—and to tell us the stories behind them. Click through the image gallery to read what he had to say.

Nov. 13–Dec. 13. FREE. Nicholas Metivier Gallery, 451 King St. W., 416-205-9000, metiviergallery.com.

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