Reasons to Love Toronto 2014: #12. Because Guillaume Found Heather
Guillaume Côté and Heather Ogden so fully embody the romance of ballet that they may well have hatched from a life-size Fabergé egg. The couple met at the National Ballet School when they were teens. They started dating in 2006 and married in 2010—their Instagrams capture starry-eyed beach strolls and Valentine’s celebrations over pizza and House of Cards, and their real-life romance seeps into their stage roles. Côté leaps and lunges with the controlled energy of a flexed piano string. He’s also a promising choreographer—he’s created several short pieces, including one for Ogden called Lost in Motion II, and will debut his first full-length ballet, based on Antoine de Saint-Exupéry’s The Little Prince, in 2016. Ogden is the quintessential fairy princess: so lithe, light and elegant that she practically floats across the stage. When Côté and Ogden dance together, they generate an electricity that thrums all the way up to the fifth ring.
![](http://www.facebook.com/sharer.php?u=https://torontolife.com/culture/reasons-to-love-toronto-2014-because-guillaume-found-heather/&title=Reasons to Love Toronto 2014: #12. Because Guillaume Found Heather&picture=https://torontolife.com/wp-content/uploads/2014/05/reasons-to-love-toronto-2014-guillaume-cote-heather-ogden-624x624.jpg&description=[caption id="attachment_273819" align="aligncenter" width="656"] (Image: Marlee Maclean/Roots Canada)[/caption]
Guillaume Côté and Heather Ogden so fully embody the romance of ballet that they may well have hatched from a life-size Fabergé egg. The couple met at the National Ballet School when they were teens. They started dating in 2006 and married in 2010—their Instagrams capture starry-eyed beach strolls and Valentine’s celebrations over pizza and House of Cards, and their real-life romance seeps into their stage roles. Côté leaps and lunges with the controlled energy of a flexed piano string. He’s also a promising choreographer—he’s created several short pieces, including one for Ogden called Lost in Motion II, and will debut his first full-length ballet, based on Antoine de Saint-Exupéry’s The Little Prince, in 2016. Ogden is the quintessential fairy princess: so lithe, light and elegant that she practically floats across the stage. When Côté and Ogden dance together, they generate an electricity that thrums all the way up to the fifth ring.){kind=link}