Name: Mott 32
Contact: 190 University Ave., mott32.com/toronto, @mott32toronto
Neighbourhood: Queen and University
Previously: Momofuku
Owners: Xuan Mu and Eric Yang
Chefs: Lee Man Sing and Kin Ming Yeung
Accessibility: Fully wheelchair accessible
Xuan Mu, the founder of Maximal Concepts—the restaurant group that just brought the latest outpost of the luxurious Mott 32 chain to Toronto—comes from humble beginnings. “My family immigrated to the UK when I was a child and opened a small Chinese restaurant that grew into a chain,” he says. “The industry was in my blood, but I didn’t think this is where I’d end up.”
Eventually, Xuan moved to Hong Kong, finished business school and started Maximal. The group opened a string of high-end restaurants in Hong Kong serving contemporary takes on Japanese, Thai and Californian cuisine. But Xuan soon realized that the city was missing a place for modern Cantonese food. “Ten years ago, if you wanted upscale Cantonese-style food, you’d have to go to an outdated place with white tablecloths and tired-looking lazy Susans,” he says. “This wasn’t fair to a cuisine that is so complicated, has such possibilities for beauty and is always evolving. We felt people should be able to eat new-world Hong Kong cuisine in a place that personifies it. So that’s what we tried to do with Mott 32.”
The cuisine at Mott 32—named for the first Chinese convenience store to open in New York, on Mott Street in 1891—is a reflection of the way Cantonese food found its way out of Hong Kong and returned home changed by globalization. Spanish Ibérico pigs are used for the expertly executed barbecued pork; the ducks for the signature Peking duck are raised locally on dedicated farms, and old-world hot-and-sour soup comes in the form of a dumpling. While some traditions continue, like dry-aging ducks on-site, the commingling of modernity—especially in the cocktails—is part of what has made the brand so successful.
While Mott 32 has spread its wings far beyond its Hong Kong beginnings, the menu respectfully adheres to its origins. For all of its modern touches—like the lobster-oil injector that comes with the lobster har gow—the menu is uncompromising in tradition. There’s an appetizer of marinated jellyfish, black fungus, aged black vinegar and garlic. Pea tips float in a pleasantly umami fish broth with sweet-and-sour goji berries and starchy lily bulbs. Dried fish maws are rehydrated and served in a funky caramel oyster sauce. And geoduck is served chilled, complemented by scallion oil and caviar.
The expansive wine list traverses the globe but spends most of its time covering old-school regions like Beaujolais, Bordeaux and Loire. There’s also a beautifully curated list of sakes. The cocktail card doesn’t play it as straight: the list is Asian influenced, modern leaning, fruit forward and surprisingly playful. One heavy hitter is the duck-fat-washed old fashioned, a clever take on the classic cocktail that coats the palate with smoky duck drippings and cuts the booziness with brown-sugar syrup and orange bitters. But the real must-try is the Hong Kong iced tea—the classic summer drink is converted into a vibrant fuchsia tequila-based cocktail bursting with jasmine and blackcurrant and dotted with floating basil seeds.
The three floors include a lounge level, a private dining area and a full-scale dining room, all of which seamlessly blend opulence and industrialism. Exposed ceilings and poured concrete floors share space with woven bamboo detailing, jade leather bar stools, Canadian walnut, plush velvet, ceramic tiling and hand-polished copper walls. The third floor’s massive dining area is light-filled and lavish, while the four private spaces on the second floor are themed: there’s a textile room, a metal room, a ceramic room and a room devoted to Hong Kong cinema—equipped with a phonograph, a wall that looks like a movie screen and a mural of Chinese-American actor Anna May Wong.
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