Slideshow: a preview of “Francis Bacon and Henry Moore: Terror and Beauty,” the AGO’s new fleshy, figurative exhibition
With its latest exhibition, “Francis Bacon and Henry Moore: Terror and Beauty,” the Art Gallery of Ontario is offering visitors two shows in one. The first Canadian exhibition of Irish-born British painter Francis Bacon’s work will be merged with the AGO’s own collection of works by English sculptor Henry Moore.
Born in Dublin in 1909, Bacon’s work was defined by its bleak, figurative approach to the human body. A kind of proto-David Cronenberg, Bacon seemed to regard human flesh as infinitely malleable—fit to be twisted and warped into all manner of abnormal configurations. His work prods the corporeality of human nature, like a lonely bachelor poking at freezer-burned hot dogs thawing in the sink. Bacon treats humanity as though it consists of little more than sacks of misshapen meat. (It’s fitting that some of his paintings share screen space with Michael Keaton’s rapacious, cyborg-building CEO in the new Robocop remake.)
Though the two never worked together, Henry Moore’s figurative sculptures provide a nice counterpoint to Bacon’s work, exploring similar themes in marble and bronze. The AGO’s exhibit calls attention to the aesthetic continuities tying the two artists together. Finally, a chance for anyone sick of beauty to take in a little horror and repugnance!
Here are some photos of the exhibition. It opens on April 5 and runs until July 20.