Q&A: Atom Egoyan on the making of Chloe

Atom Egoyan’s latest film, Chloe, turns Toronto into a dark and sexy city. A suspicious wife (Julianne Moore), a cad of a husband (Liam Neeson) and a sultry call girl (Amanda Seyfried) form the psychologically complex triangle at the centre of Egoyan’s latest film. Stacked with stars and moody shots of Toronto, it’s requisite viewing for the city’s cinephiles. Here, the director talks about the making of his racy new thriller.

Critics have called Chloe a love letter to Toronto. Why was it important to set the movie here? The script was originally set in San Francisco, but I wanted to make Chloe as personal as possible, so I set it in a place I know really well. The city brands the film.

The house in the film is visually striking, almost like a character itself. Where is it? Funny you should ask. I first saw it in Toronto Life and then tracked it down. It’s near St. Clair and Bathurst. It’s a very modern, signature Toronto style, with all the wood and glass. Thematically, I liked that the huge windows made it transparent.