Behind-the-scenes shots from the National Ballet classic Giselle
Giselle is the ballerina’s Hamlet: an enduring classic with a title role that’s both highly coveted and extremely demanding. The National Ballet of Canada first performed the show in the 1950s, and it’s remained in its repertoire ever since. Generations of dancers have taken the stage as the heartbroken peasant girl, her lovers or the ghastly spectres that bring her back to life. Daniel Neuhaus, Toronto Life’s director of photography, attended a rehearsal for the Ballet’s new production, which opens Wednesday night, and captured the latest wave of dancers to take on the beautifully spooky ballet.
Correction
An earlier version of this post misidentified Calley Skalnik as Alexandra MacDonald in one photo.
Clarification
An earlier version of this post stated that Harrison James is a principal dancer, a position he will assume on July 1, 2016.
![](http://www.facebook.com/sharer.php?u=https://torontolife.com/culture/behind-the-scenes-shots-from-rehearsals-for-the-national-ballet-classic-giselle/&title=Behind-the-scenes shots from the National Ballet classic <em>Giselle</em>&picture=https://torontolife.com/wp-content/uploads/2016/06/National-Ballet-Giselle-1-2000x1326.jpg&description=Giselle is the ballerina's Hamlet: an enduring classic with a title role that's both highly coveted and extremely demanding. The National Ballet of Canada first performed the show in the 1950s, and it's remained in its repertoire ever since. Generations of dancers have taken the stage as the heartbroken peasant girl, her lovers or the ghastly spectres that bring her back to life. Daniel Neuhaus, Toronto Life's director of photography, attended a rehearsal for the Ballet's new production, which opens Wednesday night, and captured the latest wave of dancers to take on the beautifully spooky ballet.
[caption id="attachment_385677" align="alignnone" width="2000"] The corps practices the procession of the Wilis, the spirits that bring Giselle back from the grave.[/caption]
[caption id="attachment_385678" align="alignnone" width="2000"] Corps de Ballet member Calley Skalnik.[/caption]
[caption id="attachment_385679" align="alignnone" width="2000"] The Wilis rehearsing.[/caption]
[caption id="attachment_385680" align="alignnone" width="2000"] Principal dancer Heather Ogden is one of three performers who will assume the role of the Queen of the Wilis.[/caption]
[caption id="attachment_385681" align="alignnone" width="2000"] Choreographer Sir Peter Wright kisses principal dancer Jurgita Dronina.[/caption]
[caption id="attachment_385682" align="alignnone" width="2000"] Second soloist Hannah Fischer plays the Queen of the Wilis.[/caption]
[caption id="attachment_385683" align="alignnone" width="2000"] Hannah Fischer.[/caption]
[caption id="attachment_385684" align="alignnone" width="2000"] Calley Skalnik.[/caption]
[caption id="attachment_385685" align="alignnone" width="2000"] Calley Skalnik.[/caption]
[caption id="attachment_385686" align="alignnone" width="2000"] Heather Ogden.[/caption]
[caption id="attachment_385687" align="alignnone" width="2000"] Heather Ogden with the corps.[/caption]
[caption id="attachment_385688" align="alignnone" width="2000"] First soloist Harrison James and principal dancer Jurgita Dronina play the roles of Albrecht and Giselle.[/caption]
[caption id="attachment_385689" align="alignnone" width="2000"] Jurgita Dronina and Harrison James.[/caption]
[caption id="attachment_385690" align="alignnone" width="2000"] Harrison James and Jurgita Dronina.[/caption]
[caption id="attachment_385691" align="alignnone" width="2000"] Sir Peter Wright directs first soloists Jordana Daumec and Chelsy Meiss.[/caption]
[caption id="attachment_385692" align="alignnone" width="2000"] Second soloist Emma Hawes (left) and first soloist Tanya Howard (right).[/caption]
[caption id="attachment_385693" align="alignnone" width="2000"] The Wilis rehearsing.[/caption]
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